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Norman Alfred Williams Lindsay (Australian, 1879-1969) 'The Sisters' image 1
Norman Alfred Williams Lindsay (Australian, 1879-1969) 'The Sisters' image 2
Lot 543W

Norman Alfred Williams Lindsay
(Australian, 1879-1969)
'The Sisters'

25 June 2010, 10:30 AEST
Sydney

Sold for AU$288,000 inc. premium

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Norman Alfred Williams Lindsay (Australian, 1879-1969)

'The Sisters'
signed 'NORMAN LINDSAY' (lower right) and partially signed 'NORM' (lower left); inscribed 'SISTERS (COLOUR)' (on label verso); bears AGWA exhibition labels (verso)
oil on canvas
115.5 x 100cm (45 1/2 x 39 3/8in).

Footnotes

PROVENANCE:
Sale, Christie's, Melbourne, 11 March 1971, lot 154, sold for $8,200 (buyer Lapin)
Dennis Gowin of Kevin Dennis Motors, purchased privately circa 1973 for in excess of $40,000
Collection of Alan Bond
Eileen Bond, 1990

EXHIBITED:
Perth, The Western Australian Art Gallery, Collectors Pride, 3-26 June 1977, cat. no. 61

LITERATURE:
Norman Lindsay, Paintings in Oil, The Shepherd Press, Sydney, 1945, illustrated pl. 10
Terry Ingram, 'Saleroom', The Australian Financial Review, 25 October 1973, illustrated
Lin Bloomfield, Norman Lindsay: oil paintings 1889-1969, Bungendore, 2006, illustrated, pp.200-201

The present lot was painted in 1943, and at least two preparatory studies are known: one wash and one in pencil (both illustrated in Bloomfield 2006, p.200). The model on the right was Alda, a Parsee Indian. When the painting sold at Christie's in 1971, it fetched a world-record price for the artist. It caused a sensation when it sold for over $40,000 just over two years later:

"Allegorical figures, a peacock, doves, jackal and vultures, accompany two full frontal nudes, one black and one white. The use of allegory, and a dash of humour - the white woman with doves and peacock has the look of a whore about her while the black woman, with jackal and vultures, is unconvincing in her ferocity and bears almost a benign expression - is more characteristically Lindsay...The rarity of his oils (he was not prolific in this medium) should ensure a strong continuing demand for the most accomplished works, such as Sisters." (Ingram 1973)

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